15,417 Royalty-Free Audio Tracks for "Bwv 871 – Prelude And Fugue No. 2 In C Minor From The Well Tempered Clavier Ii"

Ort: Vilhelmina norra (sameby) / Vilhelmina (socken)

Ort: Umbyn (sameby) / Tärna (socken)

Ort: Umbyn (sameby) / Tärna (socken)

Ort: Arvidsjaur (socken)

Ort: Talma (sameby) / Jukkasjärvi (socken)

Ort: Talma (sameby) / Jukkasjärvi (socken)

Ort: Jokkmokk (socken)

Ort: Tuorpon (sameby) / Jokkmokk (socken)

Ort: Talma (sameby) / Jukkasjärvi (socken)

Ort: Vilhelmina norra (sameby) / Vilhelmina (socken)

Ort: Talma (sameby) / Jukkasjärvi (socken)

Ort: Vilhelmina södra (sameby) / Vilhelmina (socken)

Ort: Luokta-Mavas (sameby) / Arjeplog (socken)

Ort: Semisjaure-Njarg (sameby) / Arjeplog (socken)

Piano concerto no. 2 in c minor, op. 18 - i. moderato

Sonata no. 31 in a-flat major, op. 110 - ii. allegro molto

Piano Sonata No. 8 (Beethoven) first movement (Grave – Allegro), 30 KB, 6:57 minutes

*Third-tone/1 step in 18 equal temperament on C. Equal-tempered: 21/18:1 = 66.67 cents. MIDI pitch bend: 43,53

Fantasie in B minor, Op. 28 (1900) by Alexander Scriabin, played by Kimberly Hou at the 2011 Minnesota International Piano-e-Competition

Fantasie in B minor, Op. 28 (1900) by Alexander Scriabin, played by Jonathan Floril at the 2009 Minnesota International Piano-e-Competition

Cello Concerto No. 1 in A minor, op. 33 - 3rd movement (tempo primo)

Català: Espais de Llum Musical 2 violins, 2 trompes i baix continu Arxiu Musical de la Cateral de València Obra de Francesc Morera i Cots (Sant Mateu, 4 d'abril de 1731 - València, 17 d'octubre de 1793), compositor valencià del barroc. Va ocupar la plaça de mestre de capella de la Catedral de València.

Danse macabre by Saint-Saëns performed by the Philadelphia Symphony Orchestra under Leopold Stokowski. "Record date is 4/29/1925, with master numbers CVE-27929 and CVE-27930. Also, the subtle "VE" stamp reveals this to be an early electrical recording. It doesn't have quite the brilliance of the 1927 and -28 Victor productions, but still captures the violins nicely. Victor 6505-A and B, concatenated from the original 2 sides."

Camille Saint-Saëns - Danse macabre (Orchestre de l'Association des Concerts Colonne, dir. Louis Fourestier, 17-18 février 1953)

John Philip Sousa's "The Picador" (1889) as performed by the United States Marine Band. Track 35 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Mother Hubbard March" (1885) as performed by the United States Marine Band. Track 25 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Picador" (1889) as performed by the United States Marine Band. Track 35 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Bonnie Annie Laurie" (1883) as performed by the United States Marine Band. Track 18 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Mikado March" (1885) as performed by the United States Marine Band. Track 24 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Pet of the Petticoats" (1883) as performed by the United States Marine Band. Track 20 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Mother Goose" (1883) as performed by the United States Marine Band. Track 19 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Bonnie Annie Laurie" (1883) as performed by the United States Marine Band. Track 18 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Occidental" (1887) as performed by the United States Marine Band. Track 30 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Occidental" (1887) as performed by the United States Marine Band. Track 30 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "National Fencibles" (1888) as performed by the United States Marine Band. Track 33 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Semper Fidelis" (1888) as performed by the United States Marine Band. Track 34 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Transit of Venus" (1883) as performed by the United States Marine Band. Track 22 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Mother Goose" (1883) as performed by the United States Marine Band. Track 19 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The White Plume" (1884) as performed by the United States Marine Band. Track 23 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Sound Off" (1885) as performed by the United States Marine Band. Track 26 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The White Plume" (1884) as performed by the United States Marine Band. Track 23 from the band's 2016 album "The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889)". Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Ben Bolt" (1888) as performed by the United States Marine Band. Track 31 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Crusader" (1888) as performed by the United States Marine Band. Track 32 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Rifle Regiment" (1886) as performed by the United States Marine Band. Track 29 from the band's 2016 album "The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889)". Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Right Left" (1883) as performed by the United States Marine Band. Track 21 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Ben Bolt" (1888) as performed by the United States Marine Band. Track 31 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Gladiator" (1886) as performed by the United States Marine Band. Track 28 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Triumph of Time" (1885) as performed by the United States Marine Band. Track 27 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.